Secret Worth Exposing: The Riveting Spies of AMC’s Turn

Remember that enchanting kid from Billy Elliot? So earnest and physical and compelling…Those traits serve actor Jamie Bell still, now all grown up and starring of AMC’s Revolutionary War spy drama Turn.  In it a Loyalist young man is pressured into a spy errand for the Patriots, an act that sets a number of gears turning within him and within the wheels of General Washington’s war machine.

The story of season one is young Abraham Woodhull’s efforts to resist the tugs of his Loyalist father and of his Patriot friends, of his efforts to be his own man on his own terms–terms that change slowly but force, like a gathering storm. What is especially satisfying is how Abraham rides that storm, wrestles to command it rather than merely be swept up in it, how he comes to make allegiances without ever quite relenting in the self-determinism that is his most singular personality trait.

Turn is particularly strong in its ability to make 18th century life both recognizable–full of real people, not national heroes nor prim puritans–and newly alive with texture. While I sometimes find the variety of settler New Yorkers’ accents befuddling, for instance, it is a welcome reminder of the recent immigrant status of some colonists and of the distance between the English we speak and what they would have spoken. Continue reading Secret Worth Exposing: The Riveting Spies of AMC’s Turn

“Sometimes your worst self is your best self.” Or a one line diagnosis of why True Detective isn’t quite coming together

There is no shortage of attention being paid to True Detective season two. Nearly every media outlet that covers pop culture has run a piece lamenting that the show is not meeting expectations.  So I’ll make this brief.

Vince Vaughn was the actor I was most excited to see this season.  Like the two actors who anchored season one, his background as more of a likable, comedy guy gave him the most runway out in front of him, the greatest amount of raw potential to wring from his performance.  The trailers only confirmed this for me: images of Vaughn leaning into that caustic edge always present even in his comedic persona were cut together with Rachel McAdams seeming fine but unremarkable, Taylor Kitsch looking taut and vaguely crazy-eyed, and Colin Farrell apparently trying to prove that he can act his way out from behind the most ridiculous mustache and western wear combo anyone has been asked to sport outside a Cohen brothers movie.  Yup, I was going to be in it for Vaughn.

Which leads me back to the impetus for this post, as this past Sunday we finally got to see the scene in which perhaps the most memorable of HBO’s True Detective trailer tag-lines occurs: “Sometimes your worst self is your best self.”

Continue reading “Sometimes your worst self is your best self.” Or a one line diagnosis of why True Detective isn’t quite coming together

Mr. Robot: Domo arigato, USA Network

I saw a commercial for Mr. Robot last week.  Okay, I saw it over and over again  on a loop in the background of Xfinity on demand. In it a young man darts his eyes around  nervously in a subway car, expressing his feeling of paranoia in demeanor as well as voiceover.  Then the tension breaks as a voice inside the car interrupts his inner monologue.  The voice of a decade’s worth of Panasonic commercials and before that the voice of 90s teen misanthropy: the voice of Christian Slater.

I like Christian Slater.  I love Pump Up the Volume.  I even like Kuffs–which was kinda terrible.  I’ve rooted for his previous attempts to jump back onto the A-list with a primetime TV vehicle but here, in this commercial, his presence dashed my hopes for something fresh from USA’s new series Mr. Robot.  Here, decked out in something like a modified 90s grunge look, Slater seemed mostly like an intertextual reference to his former self, a self who would have been cast as the young, paranoid rather than the knowing stranger on the subway car.  

Feeling semi-harangued by this Xfinity commercial, however, I finally gave in and streamed the series pilot.

And it was Really Good. Continue reading Mr. Robot: Domo arigato, USA Network